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Iron Man 2 Trailer!

The second trailer for Iron Man 2 is online! Watch it here:

The trailer looks pretty sweet. I’m kind of afraid that Favreau et al will try to do too much with the movie and it’ll be a mess, but at least the trailer looks awesome.


TDF Pamela

The Discriminating Fangirl, who is more likely to answer to Pamela if you shout it at her, is currently working on a MA in English, focusing on children's/young adult literature and popular culture. She reads voraciously, loves geeky movies and tv shows, reads comic books as often as she can buy them, and when she's procrastinating, she enjoys playing video games. She can be contacted at t.d.fangirl @ gmail.com and followed on Twitter at the link below.

profile | twitter

George Lucas Needs to Stop

Star Wars (1977 and 2008), The Empire Strikes Back (1980 and 2008), and Return of the Jedi (1983 and 2008) written by George Lucas, starring Mark Hamill, Carrie Fisher, and Harrison Ford

Buy It Now: on Amazon

George Lucas, in case you were wondering, you’ve massively screwed up this time. And I do mean massively. The Star Wars Holiday Special, Howard the Duck, and the Star Wars prequels starring a bunch of nicely established names wasn’t bad enough. Oh no. You had to continue on your snowballing roll downhill and scribble over The Mona Lisa with a Sharpie.

My dear readers, I’m referring to Lucas’s latest re-re-re-re-release of the original Star Wars trilogy. Or what’s left of it, after Lucas edited, CGI-ed, and “brought what he initially imagined to reality.” Frankly, I’m appalled at what his imagination has managed to trample upon (I’m watching the boxed set that was re-released in 2008). Why on earth would he do this to such an enormous piece of film history?! It’s truly as though someone in the 8th grade decided to rewrite the Declaration of Independence – the mere thought is as sacrilegious as it is petrifying. And yet, that’s what’s happened here with the re-releases of these classic films. Why don’t you take out Humphrey Bogart and add Robert Pattinson into Casa Blanca while you’re at it, George? You’ve got the technology, and who knows? You might get those squealy teenaged girls into the theatres to watch something that was “how you originally envisioned it.” Bleeech.

In the first place, calling them Episodes IV, V, and VI is reprehensible. Just because they’re second in timeline to what Lucas considers Anakin Skywalker’s descent into evil doesn’t mean that they should come after seeing those vomit-inducing prequels. A person just starting into the Star Wars universe should avoid seeing these prequels until they have a firm grip on the originals as truly being the changers of history, and not just film and CGI-wise.

When Star Wars (now called Star Wars: A New Hope) was released in 1977 to a stunned and delighted audience, it reaffirmed the feelings that serious changes in the United States government was needed. Star Wars was aimed at a younger crowd (NOT AT 12 YEAR-OLDS) that was deeply disturbed by the Vietnam War which had ended just two years earlier. Many of their friends, brothers, fathers, boyfriends, and husbands had been drafted into a war by a government that acted more like a bully than a protector and provider. The rightfully disruptive and “we’ll-win-freedom-at-all-costs” feelings engendered by the Rebellion featured in Star Wars easily paralleled those of the people who had seen tremendous and scary changes inside of one decade.

The Empire in Star Wars continues to be amazingly evil, even to today’s first time viewers. The Empire Strikes Back and The Return of the Jedi don’t quite capture the clean-cut, shiny evil that Governor Tarkin and Darth Vader portray, and this may be because of how the Rebellion is portrayed. At this point, the Rebellion is little more than a motley crew of teenaged and slightly older kids whose uniforms are comprised of whatever they can find. Their bases are constantly changing and they’ll take shelter wherever they can find, even in some of the most random, hostile environment planets. Also, the Empire doesn’t mind using whatever it wants to ignobly squish this budding revolution – in fact, Star Wars doesn’t shy away from letting us see how the Rebellion loses several battles and important fighters.

In the “re-mastered version” of 2008, George Lucas didn’t mess with this one as much. Just added some color here and there, changed out sound effects for louder and more excessive noises, added some sequences of screaming animals, floating robots, a busier Mos Eisley, etc.

Oh. And the ever-so-controversial scene in which “Han Solo shot first.” But a quick view at the original, undoctored scene will show the viewer that not only did Han Solo shoot first, he was the only one to have shot anything. Greedo never had a chance, which is how it should have been in the first place. Way to go, Lucas.

Courtesy of itswalky.com

 

The Empire Strikes Back was also relatively untouched, with the exception of a particular scene that pissed me off to no end.

Here is the original scene:  http://www.youtube.com/watch?v=rKtciRCVpFE&feature=related

George Lucas inserted something entirely different in 2004, with different dialogue and with the Emperor that we actually see in Return of the Jedi. Truly, I can understand changing something such as Emperor in ESB for continuity’s sake. But on a completely picky note, why do we have to see the Emperor’s entire face? It would have been much better to have obscured everything but his mouth so that the mystery and horror behind his character could have been extended into Return of the Jedi. However, changing dialogue is an absolute no-no, especially when it is not needed and the original dialogue is just fine as it is.

Proceeding onto Return of the Jedi, we come to the weakest edition of the original Star Wars trilogy. Most people will agree it was weaker to begin with (the Rebellion is shown as winning many more battles, the Emperor is killed, Darth Vader is turned from the Dark Side back to Anakin Skywalker – in general, things are much more positive in RotJ than they are in SW or ESB) and the cutesy Ewoks didn’t help matters, either. Additionally, Lucas wrote another Death Star into the plot. Seriously, could he have come up with anything original? The first Death Star was frightening in SW, but how hard is it to come up with something just as maniacal and yet even more powerful than the first Death Star?

Some people might gripe about the ending celebrations that we see across the galaxy at the death of the Emperor, but I personally prefer it over what the original sequences showed. Although, I will say that Coruscant (the headquarters for the Empire) probably wasn’t celebrating as heavily as they were and that Tatooine probably wouldn’t have done the same, simply because they were a culture that didn’t seem to care as much about what went on outside their own desert planet.

But the scene that seems to piss more Star Wars fans off than ever is the remastered scene in which the late Yoda, Obi-Wan Kenobi, and the newly restored (and dead) Anakin Skywalker are smiling down upon Luke nd his personal reflections. The Anakin we see in the 1983 ending is played by Sebastian Shaw. This is the Anakin that Luke sees just before Anakin dies of his injuries. But in the remastered 2004 ending, Sebastian Shaw is no longer smiling down upon Luke, it’s Hayden Christensen!

The original: http://www.youtube.com/watch?v=jgNPUXilkl0

The 2004 version: http://www.youtube.com/watch?v=a6NYswem3as

This is wrong on two large levels:

  1. It should be illegal to change such an emotional and powerful ending to something that only serves to link an incredible series to a horrible series.
  2. The fact that a young adult Anakin is in that particular scene negates the fact that the old Anakin whom we see just before he dies reformed his heart in the first place. Is Lucas trying to tell us that the young adult Anakin he stupidly inserted was the last time that Anakin was good? That the older Anakin was lying when he said that “there was some good still left in him?”

George Lucas was once ranked up there among Steven Spielberg, Francis Ford Coppolla, Alfred Hitchcock, Woody Allen, Martin Scorsese, Ron Howard, Stanley Kubrick, Clint Eastwood, Mike Nichols and Ridley Scott. But arguably, since his only real contributions to film history is the original Star Wars trilogy, American Graffiti, and THX-1138, I see real merit in knocking him off the “20 Top Directors” list. A director constantly needs to be making films that make a positive difference, and this hasn’t happened in nearly 30 years with Lucas.

So listen to your fans, George. And stop trying to make those classics of yours “better.”

1977, 1980, and 1983 versions of original Star Wars trilogy:

2004/2008 “remastered” versions of original Star Wars trilogy:

A random, yet AWESOME picture I discovered during my forays into the Intrawebs. If anyone knows the name of the original artist, I would love to hear about it. :)

TDF Pamela's Top Ten of 2009

Another year has flown by, and it’s nearly 2010. You know… when I was a kid, it seemed like it took forever for the year to pass, but now? I blink and it’s a new year. Sheesh. But since it is the end of the year, that means it’s time for top ten posts! Keep your eyes peeled for more lists from the TDF bloggers in the next few days!

And now, in no particular order…

TDF Pamela’s Top Ten of 2009!

Books

The Strangely Beautiful Tale of Miss Percy Parker by Leanna Renee Hieber

My reading preferences tend more toward urban fantasy instead of its close counterpart, paranormal romance, but I absolutely love it when I come across a fantastic PNR book. This book? Is definitely one of them. I was startled by my reaction to the heroine, Percy. You see, she’s rather meek and unassuming, and my preferred heroines tend to be tough ass-kickers. But Percy is so sweet and strong underneath her fragile exterior that I couldn’t help falling in love with her.

Speaking of which, I got completely swept up in the semi-unrequited love affair between Percy and the brooding hero, Alexi Rychman. Oh, Alexi. He pushes all of my tortured hero buttons; he’s dark, lonely, devoted to what he thinks is his life’s responsibility, and damn, do I love to see heroes like that crack in the face of love. [happy sigh] Add to that my mental casting of Richard Armitage as Alexi, and I spent most of this book in a swoon. The romance is delicious, the setting is creative and detailed, and it’s an incredibly fun read. I cannot wait for the sequel. Read my review here.

TDF Pamela’s Rating:

Soulless by Gail Carriger

This is another one of those books that treads the line between urban fantasy (urban… historical fantasy? historical paranormal steampunk urban fantasy? too… many… genres!) and paranormal romance, but however you categorize it, Soulless is a delightful read. Yes, I just said delightful. Carriger blends Austen-esque diction with supernatural and steampunk sensibilities, and the story is carried by the two wonderful protagonists, Alexia Tarabotti and Lord Maccon.

Alexia is a preternatural, someone who completely lacks a soul and can therefore negate the powers of a supernatural–someone with an excess of soul who has become a vampire or a werewolf. She is a spinster, partly because she has inherited her father’s Italian looks but mostly because she’s smart, quick-witted, and not afraid to show it. Lord Maccon, on the other hand, is a werewolf, the alpha of London’s pack, and he pushes my hero buttons, too. Let’s see… grumpy, intelligent, tempermental, passionate… And when these two butt heads, the sparks fly. Soulless is a funny, interesting, and smoldering read, and again, I can’t wait for the sequel. Read my review here.

TDF Pamela’s Rating:

Naamah’s Kiss by Jacqueline Carey

I had read the first two books in Carey’s Kushiel series years ago, but I lost track of the series after a while. I always meant to pick them back up, but just never did. Naamah’s Kiss takes place in the world of Terre d’Ange, but is set a few generations after the events of the Kushiel books, and in my opinion, it’s a fantastic place to start if you’d like to dip your feet into Carey’s richly imagined world. I love good worldbuilding, and Carey is definitely doing it right. Her world is based on a historical version of ours, but twists history and mythology just enough that the familiar is new and fascinating. I especially loved the part of the book set in Ch’in, and I hope Carey sets the next book there as well.

The book follows Moirin, a Maghuin Dhonn witch, as she grows and tries to follow her destiny as one blessed by Naamah. Her travels take her away from her homeland of Alba to her father’s land of Terre d’Ange, where she learns the pleasurable ways of Naamah, and to distant Ch’in. Moirin is a fascinating character who is torn between her two lines of heritage, trying to adhere to her familiar traditions but also drawn to the strange customs of Terre d’Ange and Ch’in. Naamah’s Kiss is a wonderful adventure story, and I’m looking forward to more books in this series. Read my review here.

TDF Pamela’s Rating:

Bitter Night by Diana Pharaoh Francis

Diana Pharaoh Francis’s first urban fantasy is a damn good one. Bitter Night is a tense, gripping story that kept me hanging until the last page. The protagonist, Max, is utterly believable, and she is also easy to sympathize with. She’s been bound to Giselle, a witch whom she thought was her best friend before Giselle used magic and pain to turn Max into her Shadowblade, a warrior who thrives in darkness and protects the coven. Max is comfortable in her hatred of Giselle and uses her anger as a shield to protect herself. Her anger has even blinded her to the fact that her Shadowblades and fellow Sunspears have become the family that she lost when she was bound.

When she runs afoul of another witch’s plot, Max finds herself saddled with another Shadowblade, Alexander, who is much older than her and comes from a very different background. It was fascinating to see these two try to break the other’s armor, and the characters bounced off of each other very well. The story itself is obviously the beginning of a series, and as such the end of this book doesn’t feel so much like an end as a “To Be Continued…” It’s a strong debut into the genre, and I’m betting this will be a great series as well. Read my review here.

TDF Pamela’s Rating:

Storm Born by Richelle Mead

Holy cow. I can’t believe I let this sit on my bookshelf for a couple of months. This is absolutely amazing! I absolutely adore the characters, and this book definitely tweaks my love of faery stories. Eugenie is a very well-developed, likable protagonist, and the supporting characters are not flat at all, but all have distinct personalities of their own. I freaking love that. The plot is fantastic. While deceptively simple on the surface (rescue a kidnapped teenage girl from the Otherworld), underneath it’s an intricately woven story threaded through with Mead’s signature humor. Much like with her Georgina Kincaid series, I found myself laughing throughout this book.

The sequel, Thorn Queen, isn’t quite as good as Storm Born, but this is definitely a series that I’ll be following. I love the romantic competition between Kiyo, Eugenie’s kitsune boyfriend, and Dorian, the Oak King, even though for me, it’s not much of a competition. Dorian all the way! He may have ulterior motives and be a sneaky bastard, but god, do I love him. And while I do have a problem with the use of rape in the series (no spoilers here!), the books are well-written enough that it doesn’t feel gratuitous in terms of the rape-as-impetus-for-character-development issue. Scroll down to my review here.

TDF Pamela’s Rating:

The Felix Castor series by Mike Carey

Carey writes a damn good book. The Felix Castor novels are modern hard-boiled detective stories with a supernatural twist and a healthy dose of black humor. The mysteries are twisty and complex without being overly convoluted; each time, I got to the climax and gasped aloud because I didn’t expect the truth, but damn, did it make sense! I loved being along for the ride as Felix struggles against time and the bad guys to figure out the mystery before whatever Very Bad Thing that might happen happens. I also loved Felix’s sense of dry, foul-mouthed, and self-deprecating humor, along with his amazing mental backlog of obscure pop culture references. My kind of guy.

The books are written in first person, as is traditional in detective novels, and Carey writes it very well. First person is always iffy with me; it usually takes a very talented author to write from a character’s head without sounding awkward. Carey also never lets any omniscient narration slip into Felix’s stream of consciousness, so the reader only knows what Felix has figured out after Felix decides to share it in his internal narration. Carey is very descriptive, and I really appreciate it. Sometimes too much description becomes boring in its exhaustiveness, but Carey’s vivid descriptions are always fascinating and paint a strong visual for the reader. The world itself is fascinating. It’s our world, set in our time, but sometime within the last twenty or thirty years, the dead began to wake up. Some come back as ghosts while others possess their own dead bodies ( as a zombie) or take over animal bodies (as aloup-garou). There are also nastier things surfacing: demons like Asmodeus, who possessed Felix’s friend Rafi a few years before the beginning of the series. I’m very much looking forward to what Carey has planned for the next books in the series, because the underlying issue of the dead rising is a driving factor in what Felix does. His own private version of exorcism is music; he plays tunes that “describe” the ghosts on his tin whistle. That is so unusual and so utterly cool. And his dealings with the dead in these books bring about some excellently written character development. Felix is slowly growing a conscience after spending years playing ghosts into the great whatever-comes-next. His cynical atheism provides a nice counterpoint to the traditional religious reasoning behind the dead rising, and it adds a nice level of uncertainty. Read my reviews of the three books in the series here.

Movies

Star Trek


I have a confession. I’ve been a Trek fan pretty much since birth. My parents both watched The Original Series all through my childhood, and I discovered The Next Generation when I was in junior high. I… I even had a Commander Riker t-shirt. Yes, I’m blushing right now. I watched Deep Space 9 and Voyager quite often–Voyager more so because when I lived in Germany for three years, we had thirteen channels and it was on a lot. My interest kind of waned after I moved back to the States, and I never could get into Enterprise, but I still loved the series in a nostalgic sort of way.

So when I heard that J.J. Abrams was planning on rebooting the original series, I was interested but trepidacious. Could it compare to the old series? Would it be hammy or cheesy? Would it run off in a completely wrong direction?

I am very pleased to report that I freaking loved Star Trek. The casting was brilliant, particularly in Zachary Quinto as Spock. Hell, I can’t narrow it down like that. Everyone was fantastic in their roles, and (I’ll probably get flamed for saying this) I even liked Chris Pine better than the Shat as Kirk. Shatner makes my skin crawl, what can I say?

The story is creative in the way it creates a divergence from the established timeline, and is a rousing adventure, even if it didn’t make much sense in some places. It was fun enough to watch, though, that I really didn’t care if the science was hilariously bad. I know, I know. Star Trek isn’t really about science, but red matter? Destroying a supernova with a black hole? My nitpicker got a bit edgy, but again, it was so much fun that I got over that really fast.

Also, you should definitely pick this one up on Blu-ray. It looks gorgeous in hi-def, and I’m not just talking about Quinto’s Sexy Spock. ;)

Avatar

I was skeptical of the Avatar hype, I have to admit. The trailer didn’t do a lot for me, other than provoke a couple of “ooooh” moments at the CG graphics. But I thought that’s all the movie would be: good CGI. The Fanboyfriend kept reassuring me that pretty much everything James Cameron has done has been gold, but I thought that all of Cameron’s hype that this movie would change moviemaking forever was hot air that would set him up for a fall.

I was so wrong.

The CGI is amazing and it does carry the movie. It is, without a doubt, the best I have EVER seen, and Avatar has definitely set the bar for future films. The Na’vi are completely realistic, and the environments… oh, the environments. I want to live on Pandora, it’s so beautiful. The bioluminescence was gorgeous, and I loved how Cameron incorporated it into the designs for the Na’vi as yet another way to show their connection to their planet. I wasn’t thrown out by CGI blunders once during the movie; nothing looked fake. It was amazing.

I saw the movie in IMAX 3D, and before this movie, I wasn’t a fan of 3D. Aside from Captain EO back when I was a kid, the only other movie I had seen in 3D before Avatar was the re-release of The Nightmare Before Christmas. It… wasn’t great. It felt gimmicky, as if it was in 3D only so they could lob pumpkins at the audience and make you duck. That 3D also made me kind of sick to my stomach, and I had to close my eyes every ten minutes or so to make the vertigo go away.

I was kind of afraid of Avatar in 3D, to be honest, but my fears were unwarranted. While it’s not completely immersive (unless it is completely redesigned, there will always be a problem with turning your head and having the 3D go all wonky), it’s as close to it as I could imagine. A friend of mine said that he kept feeling like he was going to inhale the little floaty embers, and that is so right. As long as I stared straight at the screen, I did feel like I was much more involved in the environment than I would have in 2D.

The plot is fairly standard: man goes into strange, alien culture, discovers that he sympathizes with them more than his own people, and fights to save alien culture. But this plot is standard because in the right hands, it works really well. Not only did I cry a few times, but I also came out of the theatre with the same feeling I got back when I was a kid and watched Medicine Man. I wanted to donate money to nature preservation charities, haha. The actors were good, particularly those playing the Na’vi characters, and damn, do I adore Sigorney Weaver. She’s just… amazing. The bad guys were over-the-top evil, the good guys were heroic and proud, and the whole thing was a fantastically good movie. I enjoyed every second of it, and I can’t wait to see it again.

TV

Farscape DVD Set

So this isn’t exactly something that’s new to 2009. In fact, the series started up ten years ago, but 2009 was the lucky year that A&E bought the DVD rights, and so we fans finally got our hands on an affordable full series set.

I was in Germany when Farscape first aired, and it didn’t show on any of the channels we got on our crappy military cable package, so I first saw it in reruns a few years ago. The first ep I saw was “Meltdown” from season 3, and that had to have been the best ep to suck me in. It was sexy. SEXY. So I started hunting down the out of print DVDs and amassed a small collection, but I had never been able to see the whole series. Imagine my joy when I found out that the entire series was being released on DVD. WOO! The Farscape panel at SDCC 09 got me even more excited, and I preordered that baby.

The series is fantastic. The CG is a bit crappy (but then this was ten years ago), but the makeup and puppetry make up for it, and the acting is great. It’s awesome to see the whole series and watch the ragtag crew of Moya slowly grow into a surrogate family. My favorite thing, though, has to be the relationship between John Crichton, the astronaut who got warped very far away from Earth in an experimental space flight, and Aeryn Sun, the Peacekeeper who discovers that there is so much more outside of the life she used to know. Not only are they both ridiculously sexy, their relationship is also wonderfully believable in its fits and starts.

So if you’re a Farscape fan and have some holiday money to blow, you should totally buy the complete series ASAP.

Video Games

X-Men Origins: Wolverine

Click to drool in hi-res

So maybe this wasn’t the best game of 2009 by a long shot, but I didn’t play many new games this year, so nyah. ;) Those of you who’ve been reading TDF for a while know that I’m a serious Wolverine fangirl. I can’t help myself. I love the guy. But I always felt like he got declawed in the other video games. I mean, he’s Wolverine, for god’s sake. He routinely rips guys in half in the comics. But in games, we’re stuck with a Wolvie who just pokes and prods at the bad guys.

And then I played the demo for this game.

Holy crap. I had to run out and buy it immediately. See, this is Wolverine the way he’s supposed to be played. You get to slice bad guys’ arms off. If you hit them with the right combo move, you can even rip some of them in half.

OH YEAH.

Ahem. Every time I talk about this game, I feel kind of weird for feeling such glee about the violence. I mean, I just cheered about ripping a guy in half. That’s not usually my thing in games. But there’s something about X-Men Origins: Wolverine that turns me and my friends (who would sometimes sit around and watch while I played) into raving lunatics. It’s just plain fun. The storyline is ostensibly based on the movie, but in my opinion, the game’s storyline is much more interesting than what went into the movie. There’s a lot more background covered here, and while a lot of the story is running around, climbing walls, and eviscerating bad guys, it comes off as much more developed and thought out than the movie.

And if I might be shallow for a moment, the developers got videogame!Wolvie to look just like Hugh Jackman, and I have to say, I love it that Wolvie’s wifebeater gets ripped off as he fights. Of course, the shirt magically reappears when you level up, which cracked us up to no end, but until those level-ups, I get to drool over computer generated Hugh Jackman’s body. Heh.

And finally….

Shallow Honorable Mention
X-Men Origins: Wolverine

Click for full size lusting opportunity


I know, I know. This was not that good of a movie. But… but… I’m shallow. I admit it. And there was enough man candy in X-Men Origins: Wolverine to sate even the lustiest fangirl. This movie isn’t on my list because of its filmmaking merits. It’s here because the men are hot.

We got angsty, naked Wolverine. We got drawling, sexy Gambit. We got wisecracking, ripped Deadpool. We got dangerous, brooding Sabretooth. Hell, we even got Will.I.Am in a freaking cowboy hat. It was ALL sexy.

Well, except maybe for that kid who played teenage!Cyclops.


TDF Pamela

The Discriminating Fangirl, who is more likely to answer to Pamela if you shout it at her, is currently working on a MA in English, focusing on children's/young adult literature and popular culture. She reads voraciously, loves geeky movies and tv shows, reads comic books as often as she can buy them, and when she's procrastinating, she enjoys playing video games. She can be contacted at t.d.fangirl @ gmail.com and followed on Twitter at the link below.

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“Chick Flicks” that Secretly Hate Women

funny-pictures-cat-giving-finger

Cracked posted a fantastic list that looks at chick flicks that secretly hate women. Can I get an amen?

Let’s do a quick rundown of the listed movies that I have seen and why I hate them.

#7: What Women Want

What do women want? It’s obvious! They want Mel Gibson because he’s a cigar-sucking, misogynistic asshole! The whole movie rubbed me the wrong way, but the ending in particular chapped my ass. Helen Hunt finds out that Mel was stealing her ideas and reading her mind, and she’s okay with it? She hooks up with him anyway? What the flaming fuck?

#6: Twilight

Yes, yes, a thousand times yes. Bella moves in with her controlling dad and immediately starts playing mommy to him, then meets sparkly Edward, who immediately starts controlling her. Jacob isn’t too bad in the first book/movie, but later HE starts controlling her, too. And does Bella shove them all off and tell them to go to hell? Nope. She swoons. Gag. (Apologies to Binary Betty. ;)

#2: How to Lose a Guy in Ten Days

I must first confess my deep and abiding hatred of Matthew McConaghey. The man has the acting range of a toaster strudel. He grosses me out. So… after sitting through an hour and a half of Kate Hudson acting out every disgusting stereotype about women and Matthew McConaghey drawling through an attempt to be Mr. Sexy, I wanted to puke. Unfortunately, my mother loves this movie. Ugh.

#1: Pretty Woman

It’s a retelling of My Fair Lady/Pygmalion. I get it. My film studies prof thinks this is one of the best movies ever and loves to bring it up to watch me grind my teeth. But I HATE this movie with the power of a thousand burning suns. Richard Gere falls in love with a hooker, awwww. How sweet. But only after she stops acting like Whorey McWhoreface and gets all gentrified. The lesson here? Ladies, you should mold yourself into Richard Gere’s idea of a perfect woman if you ever want to be loved and stop being a prostitute.

Ahhhh. I have to admit, it felt kind of good to vent my feminist rage at Hollywood’s bullshit. But now I really should get back to writing if I’m going to make it to 3400 words by tonight.

Tell me, which movies irritate you in the way they portray women?


TDF Pamela

The Discriminating Fangirl, who is more likely to answer to Pamela if you shout it at her, is currently working on a MA in English, focusing on children's/young adult literature and popular culture. She reads voraciously, loves geeky movies and tv shows, reads comic books as often as she can buy them, and when she's procrastinating, she enjoys playing video games. She can be contacted at t.d.fangirl @ gmail.com and followed on Twitter at the link below.

profile | twitter

X-Men 3 according to Michael Dougherty

194798001139607296(Who the heck is Dougherty, you ask? He was the screenwriter for X2: X-Men United.)

Geek Tyrant reports a bit about what Dougherty and Bryan Singer were planning for their version of the third X-Men movie here. (Holy character name typos in that blog post, Batman!)

An excerpt:
…Phoenix was going round the world taking things into her own hands and that she had basically returned as a god, which they did in X3. She had viewed herself as above the conflict, that she was here to end things on her terms, she was sick of the fighting and she was going to take things into her own hands and she did not give a s**t what the X-Men or the Brotherhood had to say about it.

And ultimately the way it was going to end, at least the version I was pushing for, would be that Phoenix was kind of like the Starchild at the end of 2001, she didn’t just get stabbed and die again, but she kind of chose to leave.

Hm. Now, I think that the third X-Men movie that we got sucked balls. If you’ve been reading TDF for a while, you may have already read me rant about this. And while I think nearly anything would be better than the piece of cinematic crap that was made, Dougherty’s description of their version just isn’t doing it for me. Maybe he just gave a really cursory rundown of their idea, but it feels like there’s very little conflict, other than PHOENIX DOES BADASS STUFF. Which is cool. I’m a huge Phoenix fangirl. I like the idea that she doesn’t have to be killed to keep herself from going crazy (slap the hysterical woman, right?), but I wish Doughtery had described a bit more of what would happen. Would the X-Men and/or the Brotherhood fight Phoenix? Give me more!!

Or it’s possible that I’m just brain fried right now, and I’m whining because a writer didn’t tell me enough about a movie that didn’t get made, heh. I’ve got a post about how Phoenix got the shaft in the X-Men movies percolating in my head, but I’ve got three proposals to write. I’ll have to save it for another day.


TDF Pamela

The Discriminating Fangirl, who is more likely to answer to Pamela if you shout it at her, is currently working on a MA in English, focusing on children's/young adult literature and popular culture. She reads voraciously, loves geeky movies and tv shows, reads comic books as often as she can buy them, and when she's procrastinating, she enjoys playing video games. She can be contacted at t.d.fangirl @ gmail.com and followed on Twitter at the link below.

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